A new mind-set for the TV set


For millions, the realisation of TV when you want it, wherever you want it is fast becoming an everyday reality.

Technical innovations from new and established players have caught the imagination of the public this year like no other.

Through the uptake in technology that has enabled us to access video content in new ways and the substantial marketing budgets used to spread the word, a significant and lasting shift in mind-set is almost tangible.

Despite the red button being in existence for over a decade, the London 2012 Olympics prompted 6.6m to use it for the first time, research from Starcom MediaVest shows, typifying the growth in mainstream appetite for TV content once the preserve of the early adopters.

As the world of TV technology and business descends once again on Amsterdam’s RAI for IBC, we surveyed the top TV journalists attending the show – and who will write much of the content that we will read – to understand their perspectives on the shifts we are seeing.

Fascinatingly, the TV set was voted as the most important screen to the future of the industry versus the mobile phone, tablet and PC with 100% of the vote. The popularity of the box in the corner shows no sign of fading. The tablet came a close second behind the TV reaffirming the natural synergy of both used together for ‘dual screening’. The mobile phone and PC were tied in third place.

Perhaps, most tellingly, when asked what form of video content they could not live without, half said linear TV. Through innovation, once seen as under threat, the TV set has managed to reinvent and even strengthen itself as the dominant, default screen.

Earlier this year a UK House of Lords committee proposed that all TV should be broadcast via the internet. This hypothesis was met with a level of scepticism from the journalists we spoke to with almost two-thirds disagreeing.

Both Satellite and the internet came out top as the form of content delivery with the brightest future commanding a third of the votes respectively way ahead of digital terrestrial and cable.

2012 has arguably witnessed a meeting of consumer and industry minds, with both demand for and supply of TV services in harmony of sorts. The bemusing stories of internet TVs being left unconnected may well be consigned to the history books.

Data v Emotion: A Media360 Thriller

The lowdown from your ringside civilian reporter…

It was like watching two heavyweights slug it out over an epic 15-round bout at this year’s Media360.

In the red corner, the champion fighter, Sugar Ray Emotion.

This is the established warrior of the marketing world, weaving stories into advertising campaigns that are wonderful enough to make grown men cry (see John Lewis) or make airlines pimp up their wings (hello, British Airways). Suger Ray was old school, preaching stories for brands that float from the gut of Creativity and sting with real Emotion.

In the blue corner, the young pretender to the crown, Big Joe Data.

Whatever you might feel, Big Joe has it covered, processed and is so confident in the marketing ring, that he knows what punch you’re going to throw before you’ve even thought of it. He’s huge, the biggest fighter we’ve seen and growing exponentially by the day, eating his way through high-fibre protein diets of Tweets, Likes, Searches and Clicks. Big Joe knows what he sees and learns fast.

The audience was enthralled as these two fighters traded blows across the sessions during the two days, each trying to out-box the other. But Rory Sutherland from Ogilvy and Mather nailed Big Joe with a one-liner when he asked the young fighter if it has been training on the incorrect diet, relying on software for the wrong operating system – the rational mind, rather than the emotional one.

It was left to the team from John Lewis to wipe the floor with Big Joe when they declared their most successful ad of the year wasn’t pre-tested.

The Champion, Sugar Ray Emotion, emerged victorious, waving the flag for all those peacock brands out there and laughing at the penguins.

Until next year, fight fans. When Big Joe Data will be back once more. Bigger, smarter, wiser.

Move me, dude

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Congrats to the team at Thinkbox who delivered yet another fantastic event this am and I would recommend anyone in the media, advertising and technology world checks out the thinkbox.tv site when they have a moment.

The event at BAFTA was entitled – Fads, Fashion and Effectiveness: how brands really grow. As always it was filled with great nuggets of wisdom and challenging debate to media trends, fads, hype and buzzwords and where they sit again the status quo.

In particular, the buzzword ‘engagement’ was, metaphorically speaking, taken outside into the car-park and given a good kicking by Martin Wiegel, Head of Planning from Weiden+Kennedy Amsterdam.  Engagement, it was argued, is not a metric and not a useful term.  Instead, the audience were encouraged to consider that brands will grow by targeting people who don’t know you, don’t buy you, don’t care about you and aren’t even looking for you i.e. not fans, people who Like you or +1 you.  It was a refreshing perspective backed by insights from the author of How Brands Grow, Professor Byron Sharp of the Ehrenberg-Bass Institute of South Australia.

Professor Sharp tagged marketers who focus on fans/friends as ‘shy’ marketers and that real growth will come from targeting the people that buy your rival brands and, indeed, can come from people outside the category you operate in.  He challenged marketers to strike up conversations with people who don’t know you, indeed maybe even don’t like you…

Jon Goldstone, former Group Marketing Director of Premier Foods and the marketer behind the famous Hovis campaign said that in simple terms a campaign for growth was about increasing mental and physical availability i.e. think about me more and be available to me in more places.

In this brief summary of a great thought-provoking event, I will leave you with the words of Dan Wieden, founder of Wieden and Kennedy, who asked the question ‘are you a good storyteller or a bad storyteller?’ and explained that people have always wanted great stories since the days of sitting around a campfire.  His call-to-action of ‘Move me, dude’ was a great reminder of what sits at the heart of every brilliant communications campaign, a story that moves people.

Consumers Want More From Their TVs

New research by our client, Red Bee Media, has dug into the expectations and demands from UK consumers from their TVs over the coming years to 2020. The findings are an interesting take on how and where TV might be headed and are useful to consider as we think about the future role of PR in video and TV content.

British TV and film viewers are hungry for change to the traditional TV status quo, frustrated by a lack of accessibility to content, according to a UK-wide survey exploring changing consumer attitudes and behaviours to TV and video. The survey was conducted by Red Bee Media, one of the world’s leading media management companies, and is a part of the company’s Tomorrow Calling programme, which aims to build a picture of the media world in 2020, its technological possibilities and market dynamics, through a series of think tanks, quantitative and qualitative research, one-to-one interviews, live panel debates and white papers.

Key findings:

· While the majority of UK consumers expect to watch the same or more live TV in the future, an overwhelming three quarters (74%) claim that they can’t find anything to watch on live TV on a weekly basis, as a result of confusion caused by the continued proliferation of content, platforms and devices.

· 71% want the freedom to choose what they want to watch, when they want to watch it.

o 45% want access to all back episodes of their favourite programmes.

o 39% want catch up to be available for longer, such as six months.

o 34% are interested in having multi-room wireless access to content on any screen (rising to 42% among 16-24 year-olds).

o 33% want the whole live TV schedule available on catch up.

o More than a fifth (21%) are frustrated when they can’t access a UK programme while abroad.

· More than half of UK consumers think that content should be released at the same time all over the world (57% for films, 56% for TV).

· In fact, 46% of respondents thought that illegal downloads would be greatly reduced if it was possible to pay to watch new TV series from other countries without having to wait for a UK release date.

· UK consumers are clearly prepared to pay for content; they just want more control over what they are buying. 63% think they will spend the same on TV in the future, and 20% think they’ll spend more.

Today’s pay TV platform providers may face significant competition from OTT providers: nearly a third (31%) of consumers would be interested in new content packages via internet-connected TV, if they could choose only to receive their favourite channels, without having to pay for other channels that they don’t watch.

· A third (33%) of pay TV subscribers in the UK would consider downgrading or cancelling their subscriptions if there was a cheaper solution to receiving movies; another 33% would do the same if they could watch TV without advertising.

· Channel brands will continue to play an important role. However, a remarkable 39% of UK consumers think that there may be some technology and film brands that can do a BETTER job than existing TV channels.

“Viewers are more engaged with TV and movies than ever before and it is clear that our industry will continue to experience an unprecedented level of change. The results show that viewers are increasingly savvy about what they watch and how and when they watch it and they are ever more cynical about current offers when their preference is for a more immediate, selective and flexible experience”, said Bill Patrizio, CEO, Red Bee Media. “This research provokes us to listen closely to what tomorrow’s consumer has to say and ask ourselves whether or not their expectations are driving our industry’s innovation agenda.”

The consumer survey was revealed last night at an industry event entitled ‘TV Audiences of Tomorrow’ held in central London. An expert panel debated the findings, chaired by broadcast journalist, Krishnan Guru-Murthy. Panellists included Tim Hussain, Head of Platform Development and Partnerships, BskyB; Sue Unerman, Chief Strategy Officer, MediaCom; Julia Jordan, Executive Director, Business and Operations, UKTV; Neil Mortensen, Research and Planning Director, Thinkbox; and Andy Bryant, Director of Creative, Red Bee Media.

Red Bee Media’s Tomorrow Calling first event, hosted by media commentator Ray Snoddy, explored the impact of networks, platforms and devices and was debated by experts from Google, FremantleMedia, Virgin Media, Cisco, Red Bee Media and Balderton Capital. A final event will look at future business models and the prospects for industry revenue streams in the new year.

To receive more information about Tomorrow Calling, upcoming events and to watch the debate online, please visit http://www.redbeemedia.com/tomorrowcalling.

Technology Helping Lucasfilm Take Star Wars™ To A Third Generation Of Fans

This is the next installment of our blog series from Brand Licensing Europe 2011 where Braben is the PR partner for this spectacular event showcasing many of the the world’s biggest and most exciting brands for licensing opportunities…

Howard Roffman, president of Lucas Licensing, speaking at Brand Licensing Europe 2011 today revealed that new technology, like animation and 3D, are crucial to keeping the brand fresh, helping Lucasfilm take Star Wars™ to a third generation of fans.

He also revealed more details about the hotly rumoured Star Wars™ animated TV comedy series with Seth Green which will premiere “within the next two years”, as he was grilled by EMPIRE magazine editor-in-chief Mark Dinning in The Big Interview. Roffman also hinted that a totally new Star Wars™ live action TV series was under consideration for the future.

Whilst careful not to give away too many details, Roffman said that Lucasfilm is working closely with US comedian Seth Green, of Family Guy and Austin Powers fame, to finalise the comedy TV series. He said that Lucas has always found Star Wars™ parodies extremely funny, citing a brutally frank French & Saunders parody as an example, and is thrilled to be exploring opportunities in a new area of the brand.

Roffman said: “Lucasfilm knows that to keep the brand fresh and exciting for both new and existing fans, we must always look for new ideas. For example the Clone Wars TV series has been an exciting new chapter for the Star Wars™ brand. The changing nature of technology has also opened many doors. In 2011 we launched blu-ray versions of all six films and in February 2012, we will launch a 3D version of Star Wars: The Phantom Menace in cinemas worldwide, as we aim to reach a third generation of fans.

The new animated Star Wars™ comedy series with Seth Green is a product of Lucasfilm’s focus on continued innovation. I remember showing George the French & Saunders parody of The Phantom Menace with trepidation in my heart, but I don’t think I have ever seen him laugh that hard! Lucasfilm has never been more prolific. We are in one of the most exciting phases of Star Wars™ 34-year history.”

Roffman has been a part of Lucas Licensing for 31 years and there are few people closer to the Star Wars™ brand and the secrets behind its success. The third-highest-grossing film series in history, Star Wars™ consumer products have sold a staggering $23bn worth of merchandise over the last three decades. The brand continues to thrill and engage its third generation of fans through the blu-ray releases, the upcoming 3D cinematic experience and now one, possibly two, new TV series’ on the way.

Helping TV viewers find what they want to watch is key

ITV’s recent announcement about moving towards micro-payments in 2012 for content is a critical move for the UK’s number one commercial broadcaster. I read the resulting comments and reactions across the web with some sympathy. It was littered with personal experiences of the challenges of finding TV content. There is definitely a need out there for a way to find what you want to watch (or even what you didn’t know you wanted to watch) in a simple, quick way.

Red Bee Media has announced today the acquisition of TV Genius, with the aim of helping broadcasters and platform owners reinvent the EPG for online video. Or as Mike Butcher at TechCrunch has described it… “With the abundance of TV content out there, broadcasters are switching focus from getting content online to enabling viewers to actually find the damn stuff.”

Full details on the acquisition and what this means for content discovery which our team has been working on are below:

RED BEE MEDIA ACQUIRES TV GENIUS, AN INNOVATOR IN CONTENT DISCOVERY TECHNOLOGIES

Acquisition establishes Red Bee Media as the UK’s first media management company to provide broadcasters and platform operators with an end-to-end content discovery solution

Red Bee Media, one of the world’s leading media management companies providing multi-platform technology and creative solutions to broadcasters, content rights holders, platform operators and brand owners, today announced the acquisition of TV Genius, an award-winning software company that specialises in cloud-based content discovery across the internet, TV and connected devices.

The strategic acquisition will blend Red Bee Media’s rich metadata services with TV Genius’ content discovery technology to bring a synchronised viewer experience across live and on demand TV with accurate search, personally relevant recommendations and enhanced TV guides across multiple platforms and devices. The deal demonstrates Red Bee Media’s commitment to providing clients with market leading end-to-end solutions to maximise and monetise content and establishes Red Bee Media as the UK’s first media management company to provide both broadcasters and platform operators alike with a holistic content discovery proposition.

“A critical requirement for monetising content across platforms and screens is to enable consumers to easily discover content in what is becoming an increasingly cluttered and fragmented marketplace”, said Bill Patrizio, CEO of Red Bee Media. “Accurate search and personally relevant recommendation is a key differentiator in addressing this challenge and this acquisition allows us to significantly enhance our current offering by investing in new technologies at the core of the future TV experience. TV Genius is at the forefront of content discovery and we’re excited to welcome them to the Red Bee Media family. Together, we intend to reinvent the EPG for online video.”

“As an integrated part of Red Bee Media, TV Genius will now have the ability to quickly grow its Content Discovery Platform while maintaining industry-leading relevance”, said Tom Weiss, CEO of TV Genius. “The personalised EPG, social TV, and companion applications are changing the way we watch and interact with TV in significant ways. The TV Genius team is excited to be joining Red Bee Media to help create new consumer experiences for existing and new customers around the world.”

In line with its ongoing growth strategy, Red Bee Media plans to invest in TV Genius’ technologies as an integrated part of its portfolio and the core driver behind innovative and intelligent solutions for its content discovery offering and RedPlayer™, the first ‘media grade’, next generation online video platform. RedPlayer™, which was launched in June, allows broadcasters and content owners in the UK and internationally to deliver and monetise high quality video to multiple devices, including PC, iPhone, iPad, gaming consoles and connected TV in a secure and scalable manner.

TV Genius has seen significant year-on-year growth since its inception in 2005 and has established itself as a leading innovator in content discovery for operators, broadcasters and publishers. Its TV search and recommendation engine creates more than 100 million transactions each month in seven different countries and is used by a number of leading media businesses including ITV, Sky, Freeview, Astra, Bauer Media, IPC Media, STV and AOL. TV Genius recently announced the launch of its Facebook-integrated TV guide solution, further improving content discovery experience for TV viewers. The new solution uses TV Genius’ award-winning Content Discovery Platform to personalise TV guides; when a user logs into the EPG with Facebook Connect, all the shows their friends like are instantly highlighted in the grid. The solution taps into the increasingly popular use of social media.

Sport And New media 2011 – The Lowdown

More than 200 senior sports marketing professionals from all over Europe gathered at TF1 in Paris last week for the second annual Sport & New Media conference by SportBusiness Group and sponsored by Eurosport.

Kicking off the first panel, Social Media Commerce, Bert Van der Auwera, Brand Manager, Royal Sporting Club Anderlecht, described how Anderlecht uses social media to engage with its fans:

“In Belgium, Anderlecht was the first club to embrace social media. For us, it’s about engaging with our fans, encouraging a community spirit round the club. At the start it was one way, but we have changed our approach and now it’s about conversation, about seeking reaction and opinion from our fans, involving them. That way we can launch new events and release details of new products matching their interests. We find this new approach helps us better reach commercial objectives.”

Ed Wooller, Head of Mindshare Sport, commented: “Social media engages fans, thereby moving them from armchair to active to avid fans, ultimately spending more money in the long run. One avid fan is worth 10 times the value of an armchair fan to sports rights holders and brands alike.”

Matteo Pastore, Director of Media Rights and relations, RCS Sport, agreed: “Social media is about engagement, about building your core fan base but also about bringing in new, younger audiences.”

The panel went on to discuss the best application of social media by a sports body globally, agreeing that the NBA sets the bar high with 120m followers on Twitter and Facebook alone. That said, it has not always been smooth sailing, as like everyone else, it has had to learn the scope and power of this tool ‘on the job’. The NBA has 250 of its major stars on Twitter, which makes control very difficult. This is a challenge that the UK will have to plan carefully for ahead of the London Olympics in 2012.

An interesting debate then got underway, as the rights holders and brands sparred over the level of control a brand can or should expect to have over a rights holders’ social media presence. With social media becoming a staple part of all sponsorship agreements, output through channels like Facebook and Twitter will become even more carefully monitored. Bert Van der Auwera argued that a rights holder that gives up control of social media is leaving itself open to major problems, as they are then relying on a brand – without intimate knowledge of the fans – to manage the relationship.

Digital Marketing Manager at UEFA Events, Dejah Meldem, described UEFA’s policy for sponsors, saying that rights holders must instead carve out exclusive social media space for brands to activate their rights.

Next, Alexandre Callay, Director, Eurodata TV Worldwide, introduced some interesting points:

• The average person watches 3.45hrs of TV per day, +6min in the past 5 years

• Football is still king of sport on TV, reaching 241m per year people in China alone

• China is the fastest growing consumer of sports content in the world, with 34.5m viewers watching the French Open as China’s first female professional player, Li Na, won in 2011

• Local talent still provides a huge draw card for audiences, as they engage in their attempts

• 2-screen viewing is growing, as media owners increasingly take audiences beyond the TV through digital add-ons like the live timing in Formula 1, deepening the viewer experience

• Stepping beyond that is direct digital/reality fusion, seen in only a few places so far – such as the gamer who this year won a place to drive in the winning Nissan team in the 24h Le Mans

A combative Ciaran Quinn, Director of Strategic Business development, Deltatre, kicked off panel two by challenging his fellow panellists and the audience on the topic ‘The One Screen Reality’. Andy Stout, editorial director at SVG Europe picked out the following comments from Quinn: “A 2% value was the figure which was plucked out of a feature in the conference program by panellist Ciaran Quinn from DeltaTre, suggesting that the entire VoD market in the UK was only worth £60m in 2010 compared to £3bn for TV.

Elsewhere in the same feature (an excerpt from TV Sports Markets Volume 15 Number 10) Timo Lumme of the IOC suggested that less than 5% of the IOC’s rights fees came from online. So, 2% or 5%, you can take your pick, but it has to be pointed out that even 1% of the roughly $4.5bn that NBC spent on Olympic rights is a serious amount of money in itself.”

Quinn said: “TV will become a one screen hybrid for content consumption thanks to connected TVs. Over 8m of these sets have been sold in the UK and 15m worldwide, a device that didn’t exist until recently. Also, the threat of piracy is lower– it’s almost impossible to steal video and data together.”

Rhys Beer, Commercial Director, Perform commented: “Connected TV will simplify the viewing experience. The common view is that the many platforms available make for a confusing offer to audiences. Added to that, catch-up TV is growing all time in sport, especially with big events like Wimbledon happening during the working day and the Rugby World Cup 2011 in the opposite timezone. This allows for far more viewer interactivity and engagement in the viewing experience.”

Aidan Cooney, CEO of Opta: “Rights holders have divided to conquer and sold the rights to different media and inflated the prices accordingly. Too many people though are just streaming video and not utilising the platforms properly.” Opta has been adding metadata to sports footage since 2002 and now collects, packages and distributes data on around 60,000 fixtures per year from more than 30 sports in around 70 countries, so Cooney knows how to drive the new screens with interactivity.

Answering a question from the audience about the value of 3D TV vs HD TV, Quinn continued: “Infrastructure providers will need to do more to embrace 3D TV before it can begin to work.”

Beer agreed, commenting: “When Perform broadcast the England vs Ukraine World Cup qualifier 18 months ago infrastructure was our biggest concern. As we were breaking new ground with a game broadcast only on the internet, we had to work closely with major ISP providers to ensure quality.”

Moving on, Luke D’Arcy, former commercial director at Marussia Virgin Racing, now EMEA Growth Officer at Momentum, showed the audience how Virgin worked to bring the F1 world closer to fans through digital and social media. Having worked in Formula 1 myself for many years, I don’t underestimate what a challenge it would have been to introduce these new ideas. D’Arcy described how Virgin introduced its 100m customers globally to Formula 1 by bringing fun and interactivity to online communications. Richard Branson’s bet with rival team boss Tony Fernandez was amplified magnificently online globally. The pair, also owners of rival airlines, staged a bet that would see the losing team boss at the end of the year appear on the rival airline as a “Trolley Dolly.” Branson lost!

Frederic Saint-Sardos, Head of Digital and Brand Content, Havas Sport & Entertainment presented research results on the ‘Future Consumption of Sport’, with data from around 2,000 respondents:

• The research looked at TV, mobile, internet, press and radio in GER, ITA, SPA,UK and FRA

• The showed that TV remains king, when combining HD, 3D, On Demand and Internet TV

• The research also found sport is not passive, 7 out of 10 sports fans check results each day and 58% of respondents think their sports consumption will increase in the future

• The peak age group for sports consumption is 21-30 years old

• Around 5% of fans now have a 3D TV and over 50% say it’s now a buying consideration

Saint-Sardos was then joined on stage by Arnaud Maillard, Internet and New Media Director, Eurosport and Ed Wooller, Head of Sport at Mindshare to discuss the sports fans relationship with their mobile phones. The panel agreed that while TV remained the main platform, new technologies like tablets and smart phones were opening opportunities for interaction and monetisation. Much debate ensued, with a question from Robin Clarke, Head of Sport at SMG Sport sparking discussion around the role of mobile versus other platforms. It was agreed it remains a supplementary device.

Onto the final session of the day, John Phillips, Senior Vice President digital marketing ATP World Tour and Richard Johnson, Director of Corporate Communications, Federation Equestre Internationale (FEI) both presented extremely well on the challenges and opportunities for rights holders in the new media world. Johnson, whose mantra is ‘baby steps’, walked us through the changes this fairly traditional organisation had to make in order to accept the type of access social media gave fans. Listen and learn was his advice to other rights holders. Phillips agreed, advising they “be fast and be friendly – tell short stories, make it easy for fans to follow and engage.”

To find out more about what was discussed, search #snm2011 on Twitter or visit http://www.sportandnewmedia.com

Check out CNBC’s new London studio – new opps for Business and Finance PRs

CNBC, the world leader in business and financial news, has started broadcasting this week from its brand new studio facilities at its European headquarters in London.

The investment is significant and any PRs looking for a powerful news outlet for business and finance stories should take a look at the new set-up and explore related PR opportunities. Central to the studio is its new video wall, which is one of the largest in Europe. It incorporates the CNBC Globe, providing a snapshot of the global markets, giving instant information on the health of each exchange.

In summary, the new studio has the following tech spec:
Studio space increased by 40%
Integrated digital and TV network teams; Digital Desk is part of the on-air set offering an integrated on-air and on-line output
10 studio cameras, increasing camera capacity by 66% and delivering multiple camera angles for a variety of interview scenarios; all cameras fully robotic
Touch-screen area, delivering a dynamic on-air presentation
High-tech 15 meter LED Barco curved video wall – one of the largest in Europe – and multiple LED visual displays
New studio desk for up to six people to facilitate debate and discussion between anchors and guests
More environmentally friendly studio lights with LED LitePanels – significantly reducing the power consumption of our studio lights by 89%
CNBC’s iconic ticker frames the new studio space.

The main anchor desk has been designed to engage CNBC’s influential guests in active conversation, while inviting viewers in to the heart of the dialogue.

One of the most exciting elements of the studio is the Digital Desk area, which will monitor and integrate digital media into broadcast programming. It will enable journalists to interact with viewers and the digital community during live programming using CNBC.com, blogs, websites and newswires in real-time.

John Casey, CNBC’s Vice President of International News & Programming says, “The new studio is designed to support one ultimate goal – delivering the most essential business news to the most influential and affluent audience. We have created a state-of-the-art environment totally geared to enabling our journalists to tell compelling stories about business and the global economy in real-time.”

“Our mantra is to provide essential news, information and analysis. The new studio allows us to do this even better. It enhances the way we articulate and display the key facts driving a story, whether that’s economic data, geopolitical events, M&A activity or corporate news.”

“We’re incorporating viewer opinions, tracking websites and editorial comment on relevant subjects. We will also show our TV audience what the key digital discussions are, which will help us further analyse reactions to news events.”

‘Addressable advertising’ coming to media market-place

Technology, coupled with changing consumer behaviour, is driving change throughout the media market-place. This has exciting and dramatic implications for PRs and our colleagues in the media and marketing world. ‘Addressable advertising’ where viewers receive tailored adverts selected for them according to their viewing habits, is a timely example of this change.

Laura Desmond, the global CEO of our client, Starcom MediaVest Group, has told The Independent that targeted advertising will create a ‘transformation’ in television. SMG is working on a project in the US with satellite broadcaster DirecTV to be launched this Autumn which will involve ‘addressable advertising’.

This is a fascinating initiative for TV advertising; ads will be specifically aimed at the individual viewer, making them feel more valued – and recognising their place as an individual. Desmond draws parallels with the UK market and the work being done by BSkyB to create and roll-out a similar model.

She says that ‘when people see ads that are relevant to their lives they are going to watch them and it’s good for advertising.’ SMG in the US is attracting interest in its targeted advertising project from some of the world’s biggest advertising clients including Microsoft and Coca Cola.

Full details here:

http://www.independent.co.uk/arts-entertainment/tv/news/targeted-advertising-set-to-transform-television-2274572.html

Google to headline Edinburgh TV Festival

It came as no surprise to hear that Google’s Eric Schmidt will be delivering the MacTaggart lecture at this year’s MediaGuardian Edinburgh international television festival. In fact, it’s been a long time coming as online viewing continues to gather pace and snap at the heels of traditional broadcasting.
From the BBC’s invaluable iPlayer to Channel 4 on demand, the way we consume TV has changed forever. These are exciting new services delivered by major business including Red Bee Media which sits at the vanguard of connected developments.

There will always be demand for the box in the corner, particularly in ‘event’ television such as X Factor or a big sporting event in glorious 3DTV. However, the choice, freedom and variety of content that online viewing offers means that the viewer has never been so targeted.

Reelkandi.tv is the perfect example of an exclusively online TV channel that is dedicated specifically to its target audience of women with a passion for glamour, fashion and celebrities. It is a business being built for this new connected TV world.

This year’s Edinburgh TV festival promises to be as fascinating as ever and we will follow with interest what Eric Schmidt has to say.

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